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20 Jul 2007, 16:26 (Ref:1968463) | #26 | ||
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i just hadnt thought about their being a shockwave from quite a distance away. But now you say it, it makes sense. |
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20 Jul 2007, 23:00 (Ref:1968737) | #27 | |||
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JB |
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SnappyRacers Motorsport Photography ------------------------------------------------------- |
22 Jul 2007, 19:13 (Ref:1970408) | #28 | ||
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Keep pesterin', i'm doin my best, not sure how far it's getting me. But I keep hopin', and pushin', and what more can I do? I am in touch with an agency too, and a possible opportunity has arisen, but I still don't know. Always keep your fingers crossed, except when you're shooting, as that might harm your portfolio.
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Fred Mackowiecki- the one man I'd love to swap surnames (and talent) with. |
23 Jul 2007, 21:16 (Ref:1971503) | #29 | ||
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Just to add to the not leaning on barriers tip, I've noted that reading through the Media information for the Spa 24 Hours, that they are specifically telling us not to lean against them at any time or even rest cameras on them, and obviously not to stand in a gap.
This is probably fairly routine conditions but I thought it was worth bringing them up to underline the point etc. That and the inevitable restrictions on shooting at Radion in the first couple of laps. With that in mind I guess I'll opt for Les Combes or maybe even Rivage. |
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24 Jul 2007, 06:37 (Ref:1971733) | #30 | |||
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So having read the threads on here and knowing that a few that post on here are already involved in going to circuits and the like with media passes and have got alot of knowledge about what to do, what not do, what happens, etc... I thought I'd ask and see what advice everyone had to give. |
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25 Jul 2007, 10:35 (Ref:1972949) | #31 | |||
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if that don't work... |
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Fred Mackowiecki- the one man I'd love to swap surnames (and talent) with. |
25 Jul 2007, 11:36 (Ref:1973002) | #32 | |
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Trackside Safety
Back in the days when WTCC and FIA GT appeared on the same bill there was a policy of holding a mandatory photo briefing at each race. This has subsequently been dropped, a mistake in view as spelling out the rules is beneficial to all, especially the less experienced members of the media.
(In the US briefings are still held at ALMS races............but their lawyers are way more heavy than ours.) Jacquie Groom, the FIA GT Media delegate, has prepared a single sheet of instructions and suggestions for those going trackside and has kindly allowed me to post it here on this forum. I hope that it will be of interest to those of you working between the fences. As an aside, it is interesting that none of the forgoing posts make any reference to the business side of motorsport photography, which is easily the most difficult part of the job, given that with today's camera systems it requires spectacular incompetance not to get shots that are in focus, properly exposed and composed correctly. But that says something else about this aspect of the sport. Here are the notes: TO ALL CAMERA CREWS, PHOTOGRAPHERS and JOURNALISTS WITH PIT-LANE ACCESS PLEASE READ THE FOLLOWING GUIDELINES CAREFULLY THEY SHOULD BE FOLLOWED AT ALL TIMES Passes and Access Photographers must wear the FIA GT armband or FIA GT Photo Vest at all times when working around the track or in the pit lane. TV Cameramen must wear the cameramen’s tabard. All TV and Video Cameras must have their camera sticker attached to the camera. Photographers Windows A photographer who is taking picture through a window in the fence MUST respect his colleagues. No one has the right to occupy a hole for more than 5 minutes. Please respect this limit and then step back to give your colleagues the same opportunity. Barriers For security reasons, it is forbidden to lean on the barriers. You may not cross these barriers, or place your cameras on these barriers. Do not stand in breaks in the barriers. Pit Lane PLEASE TAKE CARE. The pit-lane is a place of work, and can be dangerous, especially during the FIA GT race, when refuelling takes place. You may only access the pit-lane if you have a PIT LANE pass You may not stand on the pit wall or under the wall unless you have a PIT WALL pass. Wear sensible clothing. Shorts, skirts and open-toed shoes are not advisable, and will be banned in the pit lane during the FIA GT race Camera crews are advised to wear fire suits if they are filming in the pit-lane during the FIA GT race Remain alert at all times. If someone is waving a pit board in front of you, a car is almost certainly coming up behind you. Get out of the way ! Remember that cars want to leave as soon as possible after their stops. Be aware of this, and move to the back of the car rapidly. Parc Fermé Parc Fermé is out of bounds to the Media. Race Officials Media may not contact the FIA Race Director, Technical Director or Stewards of the Meeting directly, unless they are directly instructed to do so. They should contact the Media Delegate in case of any problems. Podium The only photographers allowed on the podium are the host TV cameraman, the Official photographer of the circuit and the official photographer of the Championship. Videocameras A photographer’s pass only grants you the right to take still pictures. Digital video cameras taking moving pictures will be considered as TV cameras, and therefore CONFISCATED unless sporting the appropriate TV camera sticker. Unauthorized shooting of moving pictures may results in a REFUSAL OF MEDIA CREDENTIALS for subsequent event(s). Marshals Obey all instructions from the marshals and officials. They are there for your safety. In case of problems, please do not attempt to solve problems yourself, but report them to the Media Delegate If you encounter any problems, please report them to the FIA Media Delegate. DO NOT ATTEMPT TO SOLVE THEM YOURSELVES. |
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25 Jul 2007, 16:42 (Ref:1973215) | #33 | |||
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Thanks samoan attorney for the information you posted, its much appreciated. |
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25 Jul 2007, 18:17 (Ref:1973266) | #34 | ||
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25 Jul 2007, 18:52 (Ref:1973287) | #35 | ||
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I'd heard the rumours Gary...
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25 Jul 2007, 19:37 (Ref:1973314) | #36 | ||
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25 Jul 2007, 19:59 (Ref:1973355) | #37 | |||
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Fred Mackowiecki- the one man I'd love to swap surnames (and talent) with. |
25 Jul 2007, 22:31 (Ref:1973482) | #38 | ||
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Did you shave your legs???
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Tim Yorath Ecurie Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch Fan of "the sacred monster Christophe Bouchut"... |
26 Jul 2007, 07:08 (Ref:1973620) | #39 | ||
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26 Jul 2007, 08:25 (Ref:1973678) | #40 | ||
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The subject is a serious one and all that some can do is take the p***. Considering that there are those posting who were unaware of a basic rule for working trackside, don't lean on the barriers, it might be better if they absorbed and learnt from the advice from the FIA GT Media Delegate rather than indulge in VIZ style gags. A question was asked from an inexperienced photographer about the best way to conduct themselves between the fences. We have all been there on our first meeting with a pass and back in the time before the internet there was little information easily available except by asking other "pros" who were not always forthcoming with advice, why help the competition was the attitude. For the benefit of those few who might still be listening to the sermon I would add a few things to the notes from the FIA. Work with the marshals, in the UK they are a professional bunch, don't get in their way and if in doubt ask whether they are comfortable with your position on the sidelines.........they stand at the post all day and have a better appreciation of the dangers of the situation than you will have. If you feel in any way uncomfortable with your shooting location move, the object is to get shots to fulfill the brief not test the limits of intestinal fortitude. Respect your fellow media by being aware of where they are and not obstructing their shots and try to keep the chimping while trackside to a minimum, missing the shot might be the least of your problems if you are concentrating on the screen. Also respect the view of the spectators wherever possible, they have paid money to get in. We live and work in a time where the individual's chioce to accept risk has been eroded through legislation and the consequences of the compensation culture. This is not a bad thing in itself but it would be very easy for circuits and race organisers to use insurance or health and safety concerns to restrict the trackside access of photographers completely. If we behave in a professional manner we give them less reason to do so.........if not....well, there will not be a profession for people to aspire to..........the choice is in our hands. John Brooks |
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26 Jul 2007, 08:44 (Ref:1973690) | #41 | ||
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Quite agree. Let's keep this on topic, if you want to flirt with each other do it elsewhere.
Last edited by MikeHoyer; 26 Jul 2007 at 08:49. |
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26 Jul 2007, 09:20 (Ref:1973720) | #42 | |
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i'm really sorry mike.. if you want to ban me i'll understand.
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26 Jul 2007, 09:26 (Ref:1973727) | #43 | ||
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26 Jul 2007, 09:40 (Ref:1973738) | #44 | ||
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26 Jul 2007, 10:11 (Ref:1973759) | #45 | |
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Last edited by badgerbaiter; 26 Jul 2007 at 10:14. |
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26 Jul 2007, 16:29 (Ref:1974150) | #46 | ||
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anyway.. back on topic..
Its all appreciated advice, as I've heard.. I've been successful for my first media pass, so will be out and about this weekend. |
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1 Aug 2007, 17:36 (Ref:1978410) | #47 | ||
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err, samoan attorney, calm down...
you must be a lawyer, coz only lawyers and the FBI have their sense of humour removed in training! |
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Fred Mackowiecki- the one man I'd love to swap surnames (and talent) with. |
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Advice please | beefy | Marshals Forum | 7 | 3 Aug 2003 22:30 |