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27 Jun 2012, 10:41 (Ref:3098897) | #1 | ||
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Getting media accreditation from circuits?
Hi there,
Can I just ask, what is involved in obtaining media accreditation for full access to racing circuits for events etc? What are the costs involved, are there fees to pay etc? Many thanks, Ben. |
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27 Jun 2012, 11:36 (Ref:3098911) | #2 | |
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hey ben,
before the doom mongers and grumblers turn up... firstly you need to have a letter of accreditation either from a publication, or a driver or team involved in the event. secondly, you need the form to fill in and send to the circuit you're looking to apply to for an event. both apply for either photographers or journalists. make sure you send it to the press officer at the circuit in good time, a couple of weeks before the event and with the supporting evidence if required. there's no cost involved in the application but i believe if you're going trackside for photos there's often requirements for liability insurance nowadays. some of the other guys here should be able to help you out on that and whether there's short term cover available if you're only going to be covering one event. i believe it's been discussed somewhere on here in the past year or so, so a quick search should turn that thread up. hope that helps a bit |
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27 Jun 2012, 12:08 (Ref:3098922) | #3 | |||
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Thanks for the info, Ben. |
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27 Jun 2012, 12:33 (Ref:3098931) | #4 | ||
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It may work differently in the UK, but here in Australia Neither a large nor small commercial venture is really classified as "media". A commercial venture that is shooting for a publication or for a particular category however, is different kettle of fish.
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Two Oh Two Point Six Seven Oh One!! |
27 Jun 2012, 13:01 (Ref:3098941) | #5 | ||
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it's a slight grey area, and one you need to be well known and trusted by the relevant parties to exploit unfortunately. much like anything else to do with media it's about who you know, and who can help you get a foot on the ladder. you'll find that sites that do sell photos have come about more as a result of having clients and a media pass, plus a good rapport with the circuit rather than existed in that entity and gained accreditation based on that. |
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27 Jun 2012, 13:39 (Ref:3098951) | #6 | ||
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The key word is media.
You need to be providing some sort of media outlet with your pictures, be that magazines, newspapers, websites etc. They will have to provide a letter etc. stating that you are working for them. Then the circuit or race organiser will decide whether you are worthy of accreditation. Or you could try and work for an established photographer or agency, again it's up to the circuit to give you a pass. When you are starting out, it's unlikely that anyone will give you media accreditation, just because you are a photographer. As you become established it can become easier, but you have to start at the bottom! |
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27 Jun 2012, 13:40 (Ref:3098953) | #7 | ||
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You still need accreditation from the editor of a recognised newspaper, magazine or news outlet and proof of relevant published work from the past year.
Shooting for a driver or team doesn't work unless its a higher end series. |
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Andrew Cliffe - Norwich Photo & Racing Exposure |
27 Jun 2012, 15:37 (Ref:3098989) | #8 | |
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Just to add that by 'recognised media' it has, to paraphrase msa rules, be on sale, or available, to the 'general public' and be listed in one of 'BRAD's media or the ABC handbook, separate criteria apply for free newspapers, but they should have a VFD certificate, & in theory, a VFD circulation figure greater than 250,000 per issue. Separate rules apply for websites, but basically if the circuit think you will get them worthwhile coverage, and meet the criteria, you stand a chance of getting accredited. However you still have to produce published coverage to ensure you continue to be accepted.
Hope that helps. |
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27 Jun 2012, 23:00 (Ref:3099195) | #9 | ||
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My first ever accredited event was Tour Brittania, 2007. I was amazed to be offered, as I had NO history. But, I got one or two ther bits after that, then my son created his own on-line magazine, and after a year of that, I stepped out, and he's now flying. 3 years in, and FIA and WEC like him, and accredit him. BUT it's been a long uphill climb.
Me, I'm happy on teh paying side of the fence. It makes me think more! |
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Tim Yorath Ecurie Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch Fan of "the sacred monster Christophe Bouchut"... |
27 Jun 2012, 23:41 (Ref:3099212) | #10 | ||
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Thought Id offer my thoughts. They echo a lot of what's gone before but might give another perspective....
This time last year I went to my first race as accredited media, the British MotoGP. I had been writing for my local paper and didnt think that I had much chance to get a pass, it was more a "hit and hope" then anything else. But by having a body of published work it was sufficient to get accredited. Basically the requirement for MotoGP, and most other series, is that you can offer proof of previous publication (usually five pieces of work) and have a letter from the editor of a paper saying that they will publish reports/pictures from race meetings. If you are a freelancer unfortunately however you generally need to have three publications willing to publish your work. The best way to get your foot in the door is to try and get work with a local paper and use this to build a reputation. If, as another poster said, you start off looking to work exclusively as a photographer it is more difficult to get accredited than as a journalist. But the good thing is that if you get a media pass it will, by and large, give you track access in addition to paddock access. As a result its well worth your while to start off writing and use this as an avenue to getting photographers work. At the very least it gives you an additional revenue stream for each race that you get to because the costs of going to races can add up pretty quickly. Each series handles requests differently. For the likes of F1 you have to go through the series directly but for others, NASCAR for example, you get accredited by the individual tracks for each race. One thing that I've found, as Tim said, is that once you start getting work published and getting accredited it's very easy to get passes to other events. From that first race for me I've managed to get to NASCAR, WEC and F1 races. Each series looks at media in the same light-can you offer us an avenue to promote our series. If you're legit, and not just looking for a free race ticket!, you should be alright and get accredited. |
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28 Jun 2012, 10:03 (Ref:3099333) | #11 | ||
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Many thanks for all the messages of advice. I might try the local paper, they always have pieces covering Matt Jackson (local lad) in the BTCC, so I might try that avenue.
Thanks again, Ben. |
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28 Jun 2012, 12:11 (Ref:3099391) | #12 | ||
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29 Jun 2012, 06:44 (Ref:3099719) | #13 | ||
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MSV require a letter from an Editor, proof of published work (a minimum of 2 samples in the last 12 months) plus £5 million in Public Liability Insurance. That might sound a lot but it costs me about £60 per year. As others say, once you are in the system and known it becomes easier.
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29 Jun 2012, 20:21 (Ref:3099981) | #14 | ||
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Can I just ask who you get your £5m PLI from please Alan, due to renew mine next month.
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"Williams will find a replacement driver, Formula 1 won't" Richard B May 1994 |
30 Jun 2012, 10:32 (Ref:3100147) | #15 | |||
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Quote:
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Nostagia ain't what it used to be! |
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